Michael Bibi brought Labyrinth on the Thames’ biggest-ever series to an exhilarating close, turning one of London’s most spectacular riverside settings into a full-scale celebration from daylight to darkness.
Some venues provide the backdrop. Others become part of the experience.
The Old Royal Naval College in Greenwich belongs firmly in the second category. Its historic architecture, views across the River Thames and spectacular transformation after sunset make Labyrinth on the Thames feel unlike any other London event.
After attracting 76,000 fans across its biggest-ever series, the closing party needed to deliver—and Michael Bibi, Seth Troxler, Franky Rizardo, Locky and Delilah gave it the send-off it deserved.
I had already experienced the venue during Peggy Gou’s spectacular 2026 show, following unforgettable visits for Black Coffee and Solomun in 2025. Yet no matter how many times I return, the first sight of that stage against the Greenwich skyline still feels special.
My friends arrived shortly after 15:30 and watched the venue steadily build from a relaxed afternoon gathering into a packed closing celebration. By the time I joined them at approximately 19:00, the transformation was complete.
Arriving at exactly the right moment
I entered midway through Seth Troxler’s set—and the atmosphere was already palpable.
Everyone was in full swing. Seth was dropping tunes, remixes and recognisable hits, so I barely made it through the entrance before I had to start dancing. I could not arrive earlier because I had been somewhere else, but for me, on this occasion, the timing could not have been better.
A closing party with extra energy
This one felt different. It felt like everyone knew it was the closing party, and that gave the crowd an extra level of energy.
Seth Troxler and Michael Bibi brought straight hype. People were buzzing, dancing and exchanging those friendly nods you get when everyone around you is locked into the same moment. The crowd was welcoming, the staff were good and the atmosphere remained positive throughout.
You have to experience Labyrinth on the Thames
I can keep telling you how sublime the venue, staging and entire Labyrinth on the Thames experience are, but you will never fully understand until you go yourself.
My friends arrived early and caught Locky and Franky Rizardo. One later described it as “probably one of the best events he’s ever been to in London.”
They watched the venue gradually fill as people relaxed on the grass with drinks. Even when it became busy, the bars and toilets remained accessible, with no queue becoming excessively long.
Getting home was straightforward too. Cutty Sark DLR is only a few minutes from the venue, giving you quick connections towards Canary Wharf or Lewisham. Even after staying until the final track, my friend simply jumped on a bus to North Greenwich and continued his journey on the Jubilee line. For an event of this size, having several convenient transport options makes a noticeable difference.
The staging, historic architecture and views towards the River Thames create that unmistakable Ibiza feeling. It reminded us of Ushuaïa—only here you are partying within one of London’s most spectacular settings.
If Labyrinth on the Thames returns next year, save the date and go. Even if none of the line-ups perfectly matches your usual taste, choose the closest one and experience the vibes and venue for yourself. You will not regret it.
Michael Bibi takes over
Michael Bibi arrived with serious energy, bringing out U-God and Young Dirty Bastard for a surprise Wu-Tang Clan appearance—and the crowd went nutz as the headline set got underway. Trust me, you ain’t seen hype like this. It was proper sick!
Admittedly, I missed part of his set because I was inside the Painted Hall, looking up at its extraordinary ceiling while enjoying edamame beans, teriyaki chicken skewers and drinks with friends. But that is also part of what makes this event so good: it offers much more than simply standing in front of a stage.
During daylight, the venue is already beautiful. You can see the architecture, the crowd and the full scale of the setting. But as darkness falls and the lighting begins to take over, everything changes.
The production comes alive—and the event completely pops off.
Labyrinth, we need more
Honestly, the series feels too short. With the summer weather London has enjoyed, Labyrinth on the Thames could have continued into September.
We need more dates, more music and more nights in this setting.
Labyrinth on the Thames, we need more, we need more, we need more. Visit the official Labyrinth website for news about 2027.
Images via Ross David.
