From MPH’s high-speed tech house to Prospa’s sunset soundtrack and Peggy Gou’s spectacular headline set, Labyrinth on the Thames once again proved that few London venues can match Greenwich for open-air magic.
Labyrinth on the Thames has done it again
Another fantastic show. Another fantastic event.
Raving within the grounds of Greenwich’s UNESCO World Heritage Site is an experience in itself. It is one of the most glorious places to party and easily one of the finest settings you will find anywhere in London.
With the beautiful weather we have been enjoying, the entire afternoon carried unmistakable Ibiza vibes. The historic architecture, open sky and riverside setting all combine to make Labyrinth on the Thames feel genuinely special.
I said the same thing after seeing Black Coffee here in 2025, and I felt it again during Solomun’s five-hour set: Labyrinth on the Thames is simply the spot.

MPH gets the party started
17:00–19:00 — MPH
I arrived shortly after five o’clock to the sound of MPH, who immediately set the tone with a fast, energetic tech-house set.
It was unmistakably tech house, but the speed and intensity gave parts of it an almost drum-and-bass-style momentum. Familiar classics appeared throughout, the sound was strong and the crowd was ready. Everybody seemed to have arrived with the same intention: to party.
It was an impressive opening set and a strong start to the day.

Prospa delivers the perfect sunset soundtrack
19:00–21:00 — Prospa
Prospa surprised me. I had never seen them perform live before, but I really enjoyed their set.
Their timing could not have been better. Playing between seven and nine meant that the sky gradually transformed as the sun began to set. Looking up at the clouds while the music played, we could not stop taking pictures.
It is difficult to describe without repeatedly using the word vibe, but that is exactly what it was.
At this kind of event, you feel everything working together: the music, the space, the architecture, the sunlight and the changing sky. The entire setting becomes part of the performance, and at certain moments it feels genuinely magical.

You have to experience it for yourself
One of my friends summed it up perfectly during the event: “This is something you have to experience to feel.”
You cannot fully explain what it is like to rave here. You cannot capture the complete atmosphere by describing the skyline, lighting or historic surroundings individually.
It is the way everything works together—the people, the music, the bars, the food, the layout and the amount of space available. It feels comfortable, well organised and spectacular at the same time.
Photographs can show you the location. Videos can capture moments from the sets. But neither can completely recreate the feeling of standing there with your friends as the sun disappears and the venue begins to glow.
It simply needs to be seen.

Peggy Gou takes us from daylight into moonlight
21:00–23:00 — Peggy Gou
Then came the headliner.
As Peggy Gou took control, the atmosphere shifted immediately. Everyone seemed to be in awe. The lighting intensified, the production came alive and the words Midnight Lobster Club appeared illuminated across the stage.
Peggy delivered tune for tune, pound for pound.
As daylight disappeared, the full impact of the stage production became visible. We had spent the day dancing beneath the sun, and suddenly we were raving under the moonlight, surrounded by dramatic lighting and historic Greenwich architecture.
Peggy Gou was absolutely amazing: great music, great people and consistently good energy.
The VIP experience
The venue’s grand interiors add another dimension to the event. VIP ticket holders can step inside and see the extraordinary artwork housed within the UNESCO site—an experience that makes the upgraded ticket worth considering.
Backstage access takes things even further, allowing guests to stand close to the stage and feel the energy from an entirely different perspective.
Images @siennalorrainegray




